Noun:

గ్రూడ్యము, ద్వేషం, కినా,

Verb:

ద్వేషం,

hypate's Usage Examples:

Play (help·info) hypate parhypate lichanos mese 4/3 81/64 9/8 1/1 | 256/243 | 9/8 | 9/8 | -498 -408 -204 0 cents Chromatic Play (help·info) hypate parhypate.

The hypate and mese, and the paramese and nete are fixed, and a perfect fourth.

Aristoxenian tradition were: Mixolydian: hypate hypaton–paramese (b–b′) Lydian: parhypate hypaton–trite diezeugmenon (c′–c″) Phrygian: lichanos hypaton–paranete.

thirds; and although the piece ends on hypate, that is the only occurrence of this note.

The notes of the central tetrachord of the system in ascending order are hypate, parhypate, lichanos (or hypermese), and mese.

scales in the Aristoxenian tradition were: Mixolydian: hypate hypaton–paramese (b–b′) Lydian: parhypate hypaton–trite diezeugmenon (c′–c″) Phrygian: lichanos.

genus, this is a scale descending from paramese to hypate hypaton.

parhypate hypaton–trite diezeugmenon (c′–c″) Phrygian: lichanos hypaton–paranete diezeugmenon (d′–d″) Dorian: hypate meson–nete diezeugmenon (e′–e″) Hypolydian:.

lichanos – paranete (movable) parhypate – trite (movable) hypate (1:1) – paramese (3:2) (standing) Although movable, the lichanos must remain above the parhypate.

This instance of hypate probably derives its suitability as a.

Quintilianus—the paradigmatic tetrachord was bounded by the fixed tones hypate and mese, which are a perfect fourth apart and do not vary from one genus.

but the two other standing notes of that scale"s tetrachords (hypate and paramese) do not come into play in significant ways as pitch centers, whether individually.