Noun:

சுப நாடகம், இன்பவியல் நாடகம், நகைச்சுவை,

comedie தமிழ் அர்த்தத்தின் உதாரணம்:

ஆங்கில இலக்கிய நாடகத்தின் தந்தை என அழைக்கப்படும் வில்லியம் ஷேக்ஸ்பியரால் 1601 - 1602 ஆம் ஆண்டு எழுதப்பட்ட இன்பவியல் நாடகம் ‘பன்னிரண்டாம் இரவு’ ஆகும்.

comedie's Usage Examples:

After bringing out these plays Terence sailed from Greek parts, either to escape from the suspicion of publishing the works of others as his own, or from the desire to obtain a more intimate knowledge of that Greek life which had hitherto been known to him only in literature and which it was his professed aim to reproduce in his comedies.

The prologues to the comedies were among the original sources of Suetonius; but he quotes or refers to the works of various grammarians and antiquaries - Porcius Licinus, Volcacius Sedigitus, Q.

Notwithstanding their demerits, however, his comedies held the stage from 1760 until the end of the century.

The way was thus clear for the Jesuits, who, with their Latin tragi-comedies or dramatized allegories written to commemorate saints or for scholastic festivals, succeeded for a time in supplanting both the popular pieces of the old school and the plays modelled on the masterpieces of Greece and Rome.

Internationally acclaimed comedienne Shazia Mirza departs from straight stand-up to reveal stories and characters from her physical and emotional travels.

Of these the most popular are comedies and serio-comic national dramas.

In 1866 he published Une troupe de comediens, and afterwards Essai sur la restauration de nos monuments historiques devant fart et devant le budget, which deals particularly with the restoration of the cathedral of Evreux.

Holberg took no rest, and before the end of 1723 the comedies of Barselstuen (The Lying-in Room), The Eleventh of July, Jakob von Thyboe, Den Bundeslose (The Fidget), Erasmus Montanus, Don Ranudo, Ulysses of Ithaca, Without Head or Tail, Witchcraft and Melampe had all been written, and some of them acted.

His comedies give a truthful and interesting picture of 18th century society, especially his best comedy, the Alec rim e Mangerona, in which he treats of the fidalgo pobre, a type fixed by Gil Vicente and Francisco Manoel de Mello.

He was the giant of the new realist theater at a time when our West End was still dallying with drawing room comedies.

His mythological or pastoral dramas, his great satiric epos of Adam Homo (1841-1848), his comedies, his lyrics, and above all his noble philosophic tragedy of Kalanus, prove the immense breadth of his compass, and the inexhaustible riches of his imagination.