Noun:

ਹਾਲਤ, ਨੁਕਸਾਨ, ਜ਼ਮੀਨ, ਸਾਰਣੀ ਵਿੱਚ, ਪਰਮਿਟ, ਬੋਪਰ, ਆਇਨ, ਪਿਛੋਕੜ, ਖੇਤਰ, ਮੰਜ਼ਿਲ, ਮਿੱਟੀ, ਡਿਗਦਾ ਹੋਇਆ, ਬਣਤਰ, ਬੁਨਿਆਦ, ਘਰ ਦੀ ਮੰਜ਼ਿਲ, ਧਰਤੀ, ਵਾਜਬ ਕਾਰਨ, ਤਲਛਟ, ਸਤ੍ਹਾ, ਕੰਮ ਵਾਲੀ ਥਾਂ, ਥੱਲੇ, ਸ਼ੀਤਾ,

Verb:

ਜ਼ਮੀਨ 'ਤੇ ਡਿੱਗ, ਫਸ ਗਿਆ, ਆਧਾਰਿਤ, ਪਿਛੋਕੜ ਤਿਆਰ ਕਰੋ, ਜ਼ਮੀਨ ਤੋਂ ਉਤਰੋ, ਕਿਨਾਰੇ ਅੱਪ, ਮੁੱਢਲੀਆਂ ਗੱਲਾਂ ਸਿਖਾਉਣ ਲਈ, ਰਾਏ 'ਤੇ ਪਾਓ,

Adjective:

ਕੁਚਲਿਆ, ਬੇਰਹਿਮ,

reground's Usage Examples:

American landscape painting of spectacular scenery often included a group of picnickers in the foreground.

In the immediate foreground stands the unsaddled horse, which dominates the composition.

), shows his awareness of Pittura Metafisica and Surrealism in a psychoanalytical painting where the elongated being in the foreground penetrates what was apparently a real landscape, until it tears like a backdrop; another painting, Forum of Inward-turned Optics (1948; Vienna, Hist.

The recent painting “I am greedy man” features a densely layered jostle of bodies, with the foreground dominated by transparent line figures, the.

The system featured excellently tailored background and foreground graphics.

In the foreground are a group of Aboriginal people, perhaps negotiating their rights.

the foreground is a small wooden table holding three items – a colored flacon (a small vessel), a transparent crystal vase, and a cup.

The painting is signed at the lower right in the form of graffiti caulked on the fisherman"s hut in the foreground.

Aperture priority is therefore useful in landscape photography, for example, where it may be desired that objects in foreground, middle distance, and background all be rendered crisply, while shutter speed is immaterial.

Truckloads of prisoners arrive onstage, characters appear onstage pouring (and spilling) molten iron in a camp foundry, and one scene calls for a three-story building in the foreground of the set, with layered barbed wire and bare steppe stretching into the background as far as the eye can see, with an excavator operating in the distance.

While the two earlier Trio drafts of 1889 and 1893 are still more folksy in tone, the final F major trio places the bizarre, the bold, and the fantastical in the foreground, which is why not a few believe that the scherzo of the Ninth is the most ingenious thing that Bruckner ever wrote.

(that is, in the foreground of the picture, in which case it would be circling counterclockwise on its right foot) and it is also possible to view its.

Systemic foregrounds Saussure's paradigmatic axis in understanding how language works.