Noun:

संशोधन, उद्देश, पत्ता, अचूक पत्ता, पाऊलखुणा, दिशा, थोडी अस्सल साक्ष, आढळले, शोधा, माग, पॅसेज,

Verb:

पायी चालण्यासाठी, शोधणे, काढा, रचना करा, वर्णन करणे, लेखन, चालणे, शोधा, मार्गाचा अवलंब करा, मागचे अनुसरण करा,

torace's Usage Examples:

Elizabeth Storace claimed that they did not care if the child lived or died; the child died in the foundling home a month after she was born.

Seeing that the repertoire of the King's Theatre was still largely made-up of opera seria works about ancient gods or monarchs of antiquity, Storace spotted a niche in the market for the new romantic style of ghost-stories, gothic horror, and romance, and his first purpose-written work for Drury Lane employed all these elements.

There are, to date, no commercially available recordings of any of Storace's operas.

The work also introduced the public to the boy-treble star, Master Walsh, whose coloratura talents must have been remarkable as his numbers are no less complex than Crouch's or Nancy Storace's.

From this point on Storace abandoned the ballad-opera style completely, and wrote the entire piece in the Mozartian Singspiel style.

This was the only all-sung opera Storace produced in English – all his other works had spoken dialogue between the musical numbers.

The year 1792 saw Storace produce the boldest of his operatic projects, Dido, Queen of Carthage, with a libretto by Prince Hoare after Metastasio's Didone abbandonata.

It seems likely that Storace had been working on an English version of Vicente Martín y Soler's (known as Martini) comedy Una cosa rara – an opera which had already been cited by Mozart in the final scene of Don Giovanni.

However, the work was never published, as Storace's impresario Richard Brinsley Sheridan wished to retain control over productions of it.

However, presumably at around the date of the No Song triumph, Storace abruptly discarded all of Martini's music in Acts II and III, and had librettist James Cobb produce an entirely new libretto, creating another romantic hit situated in the midst of the Ottoman-Austrian war of a few years earlier, The Siege of Belgrade (1791).

In Vienna, the Storaces knew Mozart very well.