(संगीत,

subdominant's Usage Examples:

tends to rely heavily on the primary triads: triads built on the tonic, subdominant, and dominant degrees.

prevalence of the primary (often triadic) harmonies: tonic, dominant, and subdominant (i.

because it is the same distance below the tonic as the dominant is above the tonic – in other words, the tonic is the dominant of the subdominant.

That is to say you can actually identify subdominants, dominants, tonics, and keys.

subdominant of C minor"s relative key (E♭ major): A♭ major, providing "a comfortingly cool shadow or short-lived respite", but also the relative key (E♭ major.

The third movement is, atypically, a minuet and trio, and in the subdominant E-flat major instead of the.

Examples of predominant chords are the subdominant (IV, iv), supertonic (ii, ii°), Neapolitan sixth and German sixth.

to the subdominant when the leading tone is lowered by half step to the subtonic (B to B♭ in the key of C).

English as in German, the tonic is flanked on both sides by subtonic / supertonic, submediant / mediant and dominant / subdominant – the 7th degree being.

Since there are only seven degrees in a diatonic scale the eleventh degree is the same as the subdominant.

III, IV …); by the English name for their function: tonic, supertonic, mediant, subdominant, dominant, submediant, subtonic or leading note (leading tone.

Given a major key tonic (I), the related keys are: ii (supertonic, the relative minor of the subdominant).

the third set of four bars: Play (help·info) The common quick to four or quick-change (or quick four) variation uses the subdominant chord in the second.

Synonyms:

tone, note, musical note,

Antonyms:

hypotonia, hypotonus, atonicity, hypertonus,