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ध्वनिसह बनाना Meaning in English



ध्वनिसह बनाना शब्द का अंग्रेजी अर्थ : sound


ध्वनिसह-बनाना इसके अंग्रेजी अर्थ का उदाहरण

San Diego Chargers players A contact explosive is a chemical substance that explodes violently when it is exposed to a relatively small amount of energy (friction, pressure, sound, light).


The side project was created for the first Mortal Kombat soundtrack in 1994; however, they debuted their track "Techno Syndrome (Mortal Kombat)" in 1993 when it was released as a single.


The original music was mixed with sound effects from the Mortal Kombat arcade game to create "Techno Syndrome (7" Mix)".


Mortal Kombat (soundtrack) (1995) - "Techno Syndrome (7" Mix)".


Annihilation (soundtrack) (1997) - "Theme From Mortal Kombat (Encounter The Ultimate)".


Though Rubel slept in one of the giant citrus refrigerators, the walls of thick cork were not sufficient sound insulation to allow him peace from his mother's parties.


Former US Congressman from New Hampshire Dick Swett's name, when pronounced, sounds like common slang for male genital perspiration.


Their work was associated with the Bristol sound, a precursor to Trip Hop.


Reddy's movie voice was provided by Walter Tetley, the prolific voiceover actor whose talents were in demand by producers needing a high-pitched, adolescent sound.


On 12 July 1998, France soundly beat Brazil 3–0 in the Final.


After attending a Habs game with Jay Baruchel, Wade created songs for the film, that he describes as "to be all things that sound like you could turn up to 10 in an arena.


Wade again partnered with Andrew Gordon Macpherson in 2018 to create the soundtrack to Far Cry 5's arcade mode.


It was also a significant departure from the 2 Tone and garage rock influences of the band's early days, instead opting for a sound akin to the traditional ska acts of 1960s Jamaica.


The soundtrack for Front Mission 5: Scars of the War, which is the longest in the series, was primarily composed by Hidenori Iwasaki, with contributions from Kenichiro Fukui and one track written by Iwasaki's synth operator Yasuhiro Yamanaka.





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