अप्रत्यक्ष-प्रवचन इसके अंग्रेजी अर्थ का उदाहरण

Among other uses, information may be given in this form to indicate indirect speech, also called indirect discourse.

References Indirect speech, also known as reported speech, indirect discourse (US), or ōrātiō oblīqua ( or ), is the practice, common in all Latin historical writers, of reporting speeches and letters indirectly.

Pitching statistics Free indirect speech is a style of third-person narration which uses some of the characteristics of third-person along with the essence of first-person direct speech; it is also referred to as free indirect discourse, free indirect style, or, in French, discours indirect libre.

Randall Stevenson suggests that the term free indirect discourse "is perhaps best reserved for instances where words have actually been spoken aloud" and that cases "where a character's voice is probably the silent inward one of thought" should be described as free indirect style.

Some of the first sustained examples of free indirect discourse in Western literature occur in Latin literature, where the phenomenon often takes the name of oratio obliqua.

Virginia Woolf in her novels To the Lighthouse and Mrs Dalloway frequently relies on free indirect discourse to take us into the minds of her characters.

According to Charles Rzepka of Boston University, Elmore Leonard's mastery of free indirect discourse "is unsurpassed in our time, and among the surest of all time, even if we include Jane Austen, Gustave Flaubert, and Hemingway in the mix.

Some argue that free indirect discourse was also used by Chaucer in The Canterbury Tales.

Some of the first sustained examples of free indirect discourse in Western literature occur in Latin literature, where the phenomenon conventionally takes the name of oratio obliqua.

" Regarding "beech", Drescher argues that it is the husband's misreading of the label, "an example of typographical free indirect discourse," and is one of the story's many references to the Holocaust, specifically the Buchenwald concentration camp.

" In general, The Rain God uses a third person narrator who, through indirect discourse, is deeply sympathetic with and self-conscious of his connection to the main character, connecting the writer to the protagonist.