ballat Meaning in Odia (Oriya). ( ballat ଶବ୍ଦର ଓଡିଆ ଅର୍ଥ)
ବାଲାଟ୍,
Noun:
ଗୁପ୍ତ ମତଦାନ |, ବାଲାଟ କାଗଜପତ୍ର |, ଗୁପ୍ତରେ,
Verb:
ବିଡି ପରି |,
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ballat's Usage Examples:
Eleven of Bartolino's madrigals survive; like the ballate, they are mostly for two voices, however there are two pieces for three, and one of them (La Fiera Testa) has a macaronic text which is trilingual, one strophe in Italian, one in Latin and the final Ritornello section in French.
All of the compositions in the codex are secular songs in Italian: ballata, madrigals, and cacce: there are 353 in all, and they can be dated to the period from 1340 to 1415.
2 – NaqoyqatsiAlexander Glazunov*Concerto-ballata in C, Op.
13:28) and, while Nehemiah was absent in Babylon, Eliashib had leased the storerooms of the Second Temple to Sanballat"s associate Tobiah the Ammonite.
The influence of Landini, hard to avoid for any Florentine composer late in the 14th century, is evident both in the madrigals and the ballate.
He concentrated mainly on madrigals, including both canonic (caccia-madrigal) and non-canonic types, but also composed a single example each of a caccia, lauda-ballata, and motet.
His 27 ballate are almost all vocal duets, in the Italian fashion (the French at that time were mainly writing them as a single vocal line with one or two instrumental accompanying parts).
His secular compositions are of three types: thirteen madrigals, forty-six ballate (some of which are fragmentary, and others of which have the ascription to Paolo erased in the source), and five miscellaneous secular songs.
5)1977 Nuova ballata per Newyorkville n.
Lorenzo is represented in the Squarcialupi Codex, the illuminated manuscript which is the most comprehensive source of Italian music of the 14th century, with 16 pieces of music, 10 madrigals, 6 ballate and one caccia.
Seventeen compositions by Donato survive, including: fourteen madrigals, one caccia, one virelai, and one ballata.
The ballate are more progressively done overall; most are for three voices, and are lyrical, melodic, but yet use some of the extreme rhythmic intricacies of the ars subtilior school.