इतालवी चित्रकार ने Chiaroscuro और परिप्रेक्ष्य के अपने उपयोग के लिए नोट किया (1494-1534)

correggio's Usage Examples:

In the upper rooms is placed a large collection of Milanese and central Italian ceramics, stuffs, furniture, bronzes, ivories, enamels, glass and historical relics; together with a picture gallery containing works by Vincenzo Foppa, Gianpietrino, Boltraffio, Crivelli, Pordenone, Morone, Cariani, Correggio, Antonello da Messina, Tiepolo, Guardi, Potter, Van Dyck and Ribeira.

Other paintings with which the name of the gallery is generally associated are Correggio's "La Notte" and "Mary Magdalene"; Titian's "Tribute Money" and "Venus"; "The Adoration" and "The Marriage in Cana," by Paul Veronese; Andrea del Sarto's "Abraham's Sacrifice"; Rembrandt's "Portrait of Himself with his Wife sitting on his Knee"; "The Judgment of Paris" and "The Boar Hunt," by Rubens; Van Dyck's "Charles I., his Queen, and their Children."

In 1849 he studied for a few months in Paris, where he copied Titian and Correggio in the Louvre, and then returned to Frankfort, where he settled down to serious art work under Edward Steinle, whose pupil he declared he was "in the fullest sense of the term."

GREGORIO ALLEGRI, Italian priest and musical composer, probably of the Correggio family, was born at Rome either in 1560 or in 1585.

The Correggio family never managed to keep possession of it for long, and in 1346 they sold it to the Visconti (who constructed a citadel, La Rocchetta, in 1356, of which some remains exist on the east bank of the river, while the later ate du Pont may be seen on the west bank), and from them it passed to the Sforza.

In 1307 the city became a lordship for Giberto da Correggio, who laid the basis of its territorial power by conquering Reggio, Brescello and Gaustalla, and was made commander-in-chief of the Guelphs by Robert of Apulia.

As a republic its government was mainly in the hands of the Rossi, Pallavicino, Correggio and Sanvitale families.

There are other beautiful ceiling frescoes by Correggio in the former Benedictine nunnery of S.

John are by Correggio, and the arabesques on the vault of the nave by Anselmi.

The walls and ceiling of the fine Romanesque interior are covered with frescoes of 1570, subdued in colour and well suited to the character of the building; those of the octagonal cupola representing the Assumption of the Virgin are by Correggio, but much restored.

correggio's Meaning':

Italian painter noted for his use of chiaroscuro and perspective (1494-1534