हैंडबेल इसके अंग्रेजी अर्थ का उदाहरण

Britten also added – relatively late in the process of scoring the work – an ensemble of handbell ringers.

Stanley Clarke – Alembic electric bass with Instant Flanger, piccolo bass, acoustic bass, bell tree, handbells.

Lenny White – drums, timpani, congas, timbales, snare drums, suspended cymbals, alarm clock, handbells.

Several commentators, including Michael Kennedy, Christopher Palmer and Humphrey Carpenter, have noted the affinity between the sound of Britten's use of the handbells and the gamelan ensembles he had heard first-hand in Bali in 1956.

Britten was not present in Ettal, but he learned from Ernst Roth, of Boosey " Hawkes, that the Ettal production had substituted glockenspiel and metallophone for the handbells; according to Roth the bells in Carl Orff's Schulwerk percussion ensembles were "too weak" for the purpose.

Still I rather hanker after doing it in Darmstadt as we want it – even importing handbells for instance.

The scarcity of handbells tuned at several of the pitches required by Britten in the opera was to become an issue when the score was being prepared for publication.

Several critics remarked favourably on the sound of the handbells.

The children players, billed as "An East Suffolk Children's Orchestra", included handbell ringers from the County Modern School, Leiston; a percussion group, whose instruments included the slung mugs, from Woolverstone Hall School; recorder players from Framlingham College; and bugle players from the Royal Hospital School, Holbrook.

Britten suggested that in the absence of handbells a set of tubular bells in E flat in groups of twos and threes could be played by four or six children with two hammers each to enable them to strike the chords.

Britten later wrote to a friend: "I am rather relieved that I wasn't there! – no church, no bugles, no handbells, no recorders – but they seem to have done it with a great deal of care all the same.

In Italian, campanelle can also refer to "handbells.

As Noye leaves, the full orchestra provides a final fortissimo salute, the opera then concluding peacefully with B flat chimes of handbells alternating with extended G major string chords – "a hauntingly beautiful close", says Roseberry.

In the final canonical hymn, the main tune moves from F major to G major and is sung over reiterated bugle calls, joined by the handbells.