सिंटोनिक इसके अंग्रेजी अर्थ का उदाहरण

This is achieved by tuning the seventeenth a syntonic comma flatter than the Pythagorean seventeenth, which implies tuning the fifth a quarter of a syntonic comma flatter than the just ratio of 3:2.

These discrepancies arise because, unlike 12-ET, 22-ET does not temper out the syntonic comma of 81/80, and in fact exaggerates its size by mapping it to one step.

0682"nbsp;cent ≈ "nbsp;syntonic comma ≈ "nbsp;pythagorean comma).

1 cents (a diesis of ratio 128:125, almost twice a syntonic comma) from the corresponding pure interval of 8:5 or 813.

Egosyntonic and egodystonic.

It has the necessary property that a chain of its four fifths is equivalent to its major third (the syntonic comma 81:80 is tempered out), which also means that it contains a "meantone" that falls between the sizes of 10:9 and 9:8 as the combination of one of each of its chromatic and diatonic semitones.

Choose the commas 128/125 (the diesis, the distance by which three just major thirds fall short of an octave, about 41 cents) and 81/80 (the syntonic comma, the difference between four perfect fifths and a just major third, about 21.

If this is extended to the 5-limit, six additional superparticular ratios are available: 5/4 (the major third), 6/5 (the minor third), 10/9 (the minor tone), 16/15 (the minor second), 25/24 (the minor semitone), and 81/80 (the syntonic comma).

In this system the perfect fifth is flattened by one quarter of a syntonic comma (81:80), with respect to its just intonation used in Pythagorean tuning (frequency ratio 3:2); the result is (3/2)\times(80/81)^{1/4} \sqrt[4]{5} \approx 1.

Septimal meantone tempers out not only the syntonic comma of 81:80, but also the septimal semicomma of 126:125, and the septimal kleisma of 225:224.

The fact that the syntonic comma is not tempered out means that notes and intervals need to be defined more precisely.

This implies that the fifth is a quarter of a syntonic comma narrower than the justly tuned Pythagorean fifth.

Example 3: In the 3-dimensional lattice of perfect fifths, just major thirds, and just minor sevenths (ratio 7/4), the identification of the syntonic comma, the septimal kleisma (225/224, about 8 cents), and the ratio 1029/1024 (the difference between three septimal whole tones and a perfect fifth, about 8.