विषायान्तर-करना इसके अंग्रेजी अर्थ का उदाहरण

The melody then modulates back to A-minor after repeating a dissonant chord six times.

Though often atonal, highly abstract, and dissonant in sound, New Complexity music is most readily characterized by the use of techniques which require complex musical notation.

Lyatoshynsky is influenced by the symbolism and expressionism: this can be traced to his choice of poetic texts which he sets to Romances; the treatment of the melody, choice of the instruments; harmonic manipulations, such as unclear tonality, dissonant chords and the complex parallel chord structures.

On the early album Forest enter Exit, are collected such different pieces like Walk to the Moon – a quiet, emotional, mainly piano accompanied ballad, Nightmare – a mixture of slow passages and dissonant avant-garde parts, Resurrection Machine and Brain Fic – two technoid songs.

Buckethead as the main instrumental performer supports or counteracts this with the use of all his typical stylistic devices: chromatic runs and dissonant playing noises, but also riffs and chord progressions or short citations from blues and country.

Vaet used cross-relations to a degree rare at the time (though they are also significant in the music of Gombert), and they pungently spice contrapuntal passages; sometimes they are even simultaneous, resulting in dissonant clashes: no one would mistake his music for that of Palestrina, for this reason alone.

This augmented fifth is an extremely dissonant wolf interval, as it deviates by 41.

However, since even the just intonated ratio 18:17 sounds markedly dissonant, these deviations are considered acceptable in a semitone.

In quarter-comma meantone, the minor second is considered acceptable while the augmented unison sounds dissonant and should be avoided.

Bell sounds enter with the scales that accompany the second occurrence of the "Gate" theme, and gong sounds with the dissonant chiming of the middle section.

"Prologue" This starts with a dissonant electronic soundscape and spoken introduction by album producer Terry Brown.

The piece reaches a climax in the middle with rising and descending chromatics played between a series a dissonant chords.