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Ten of Cordier's secular pieces survive, most of which are rondeaux:.

others are simpler, with greater emphasis on lyrical melody, such as "Belle, Bonne, Sage", also transcribed in HAM, and characterized with "Amans" as a rondeau.

Nouveau Recueil de divers rondeaux (1650).

Nos amys vous vous abusés (rondeau, 3vv).

All eight of his surviving works are rondeaux, secular French songs which were a favorite of the Burgundians.

One of his more enigmatic songs is a three-voice rondeau, "Las, j'ay perdu mon espincel", in which the upper voices, the superius and the tenor, are fully written out, but the contratenor is left blank.

British poets such as Andrew Lang, Austin Dobson and Edmund Gosse were sometimes known as "English Parnassians" for their experiments in old (often originally French) forms such as the ballade, the villanelle and the rondeau, taking inspiration from French authors like Banville.

Matteo wrote in many forms, including the virelai, the ballade, and the rondeau.

Zlatý prach (1886 a 1897) – collection consisting of two parts written in different periods, the main form is rondeau.

De ma dame (rondeau, 3 voices).

He n'esse pas (rondeau, 3 voices).

Pour toutes fleurs, (rondeau, 3 voices).

Puisque fortune (rondeau, 3 voices).

Quelque cose (rondeau, 3 voices).

Quelque langage, (rondeau, 3 voices).

Se ung bien peu, (rondeau, 3 voices).

Early changes to the score after the first performance included removing Alexina's demanding air "Pour vous je suis ambitieuse" in Act 1 and re-casting a rondeau for Henri and Alexina in Act 3 as a duet for Fritelli and Alexina in Act 1.

Four of his works are rondeaux, in French (though the text for one rondeau is lost), and one is an Italian ballata, probably written between 1454 and 1459 when he may have been in Italy.