रैफ़िया हिंदी उपयोग और उदाहरण

"" सन् १४९९ में महंत ट्राइथेमियस की पॉलिग्रैफ़िया नामक गुप्त भाषा संबंधी पुस्तक प्रकाशित हुई।

सन् १४९९ में महंत ट्राइथेमियस की पॉलिग्रैफ़िया नामक गुप्त भाषा संबंधी पुस्तक प्रकाशित हुई।

रैफ़िया इसके अंग्रेजी अर्थ का उदाहरण

Entomographia Imperii Rossici.

Acalculia is sometimes observed as a "pure" deficit, but is commonly observed as one of a constellation of symptoms, including agraphia, finger agnosia and right-left confusion, after damage to the left angular gyrus, known as Gerstmann's syndrome.

"Provided that general mental impairment and significant aphasic disorder can be excluded as primary factors, the presentation of deficits such as agraphia, acalculia, and right-left confusion should alert the clinician to the possibility of focal posterior parietal lobe disease.

Acalculia is one out of four defining components of Gerstmann's syndrome; the other three components are agraphia, finger agnosia, and right/left confusion.

In a case study, Rosselli and Ardila describe the rehabilitation of a 58-year-old woman with spatial alexia, agraphia, and acalculia associated to a vascular injury in the right hemisphere.

In 1940, Gerstmann claimed that acalculia is associated with aspects of Gerstmann's syndrome, which include right-left confusion, agraphia, and digital agnosia.

Nowy Karakter Polski Z Drukarnie Lazarzowey: Y Orthographia Polska: Iana Kochanowskiego, [.

Apollodorus left a technique behind known as skiagraphia, a way to easily produce shadow, that affected the works not only of his contemporaries but also of later generations.

One of the major artistic techniques that Apollodorus developed was called skiagraphia, or shading in English, hence his title “the shadow-painter”.

” In other words, “You could criticize [skiagraphia] more easily than you could imitate it”.

The type of shading applied by Apollodorus is highly sophisticated and even today people struggle to master skiagraphia.

Though it expanded the use of perspective in the ancient Greek world, skiagraphia was most effective in the depiction of stationary objects such as drapery, fruit, or faces; but it was ineffective in the painting of a body in action or a spatial setting for which perspective is usually used.

At one point, Apollodorus even accused Zeuxis of stealing art techniques from others which might very well have been true because Zeuxis was also attributed with the expansion and development of Apollodorus' prized skiagraphia.