बाससून इसके अंग्रेजी अर्थ का उदाहरण

Cantata dos Mortos (1965): Vinicius de Moraes; baritone, narrator, mixed choir, oboe, bassoon, piano, timpani, and percussion [Sistrum, 1981].

Quinteto de Sopros (1969): flute, oboe, clarinet, horn, and bassoon.

Scarab, for flute, bassoon, and harp.

Little Missenden Variation for English horn, clarinet, bassoon and horn (1984).

Cantata on Mediaeval Latin Texts for countertenor, flute, oboe and bassoon (1964).

"Tantum ergo" in C major for choir, two oboes, two bassoons, four trumpets (Clarini), timpani and organ.

Fragmentary movement for bassoons and strings.

"Picciola Serenata" in B flat major for 2 oboes, 2 horns and bassoon (1778).

Serenade in B flat major for 2 clarinets, 2 bassoons, 2 horns and double-bass.

Serenade in C major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double-bass (alternative version of the serenade in B flat major for seven instruments).

Serenade in F major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double-bass.

Cassation in C major for 2 oboes, 2 English horns, 2 bassoons and 2 horns.

Three trios in G major, E flat major and C major for 2 Oboes and bassoon.

"Armonia per un tempio della notte" in E flat major for 2 oboes, 2 clarinets, 2 bassoons and 2 horns (ca.

"Requiem" by Niccolò Jommelli: additional instrumentation of two oboes, two bassoons and two trombones (for Christoph Willibald Gluck's solemn requiem on April 8, 1788).

Flute, oboe, clarinet, and bassoon.

For bassoons, the altissimo notes bear complicated harmonic relationships to the fundamental register.

The former called for a third harp and fourth bassoon, while the latter (and all prequel scores) utilized a fuller string section.

Woodwinds: 3 flutes (doubling on piccolos and an alto flute), 2 oboes (doubling on a cor anglais), 3 clarinets (doubling on a bass clarinet and an E-flat clarinet), 2 bassoons (doubling on a contrabassoon).

The design of the modern bassoon owes a great deal to Almenräder, who, assisted by the German acoustics researcher Gottfried Weber developed the 17-key bassoon whose range spanned three octaves and a half.

Carl Almenräder was the son of a teacher: he taught himself to play the bassoon after he was given one when aged just 13.