बहुस्वर हिंदी उपयोग और उदाहरण

चित्र जोड़ें स्वेतलाना अलेक्सांद्रोव्ना अलेक्सिएविच (Светлана Александровна Алексиевич; Святлана Аляксандраўна Алексіевіч) (जन्म: 31 मई 1948) एक पत्रकार और रूसी भाषा की बहुस्वरीय कथेतर साहित्य लेखिका हैं।

""चित्र जोड़ें स्वेतलाना अलेक्सांद्रोव्ना अलेक्सिएविच (Светлана Александровна Алексиевич; Святлана Аляксандраўна Алексіевіч) (जन्म: 31 मई 1948) एक पत्रकार और रूसी भाषा की बहुस्वरीय कथेतर साहित्य लेखिका हैं।

बहुस्वर इसके अंग्रेजी अर्थ का उदाहरण

The highly virtuosic demands of the piano writing are frequently aimed not merely at effect but at clarification of the polyphonic complexity and at delving more deeply into keyboard experimentation.

TRT four radio channels include Radyo 1 (general), Radyo 2 (TRT-FM) (Turkish classical, folk and pop music), Radyo 3 (primarily classical music and also jazz, polyphonic and western pop music, broadcasts news in English, French and German), and Radyo 4 (Turkish Music).

This polyphonic repertoire is unique to that manuscript (Bodley 775 contains no polyphony).

Raval composed religious polyphonic music, madrigals and instrumental ricercari.

Different-pointing stems indicate the voice for polyphonic music written on the same staff.

In any polyphonic music in which two parts are written on the same staff, stems are typically shortened to keep the music visually centered upon the staff.

It also features a small number of four-note polyphonic preset analog and digital instrument voices, and a simple additive voice.

Angels in art The Casio AZ-1 is a polyphonic MIDI keyboard in the form factor of a keytar.

The handful of pieces for organ which have survived show Hofhaimer's gift for composing polyphonic lines around a cantus firmus.

His German lieder are typical of the time, and usually in bar form, with one section being polyphonic and the other being more [ He rarely used the smooth polyphonic texture then being cultivated by the Ben Griffin (born 7 March 1986 in Brisbane, Queensland) is an Australian footballer who plays as a central defender.

In addition he varied the texture in his composition by alternating polyphonic passages with homorhythmic, chordal ones, much like the texture found in his secular music.

Sermisy wrote two of the few polyphonic settings of the Passion found in French music of the period; the musical setting is simple, compared to his masses and motets, and he strove to make the words clearly understandable.