पेंटामीटर Meaning in English
पेंटामीटर शब्द का अंग्रेजी अर्थ : pentameter
ऐसे ही कुछ और शब्द
पेंटानेपेंटंगल
पेंटानाइट
पेंटरेस
पेंटाटेच
पेंटाथलॉन
पेंटाथलीट
पेंटाटोनिक
पेंटाटुचल
पेंटावेलेंट
पेन्थेरा लियो
पेंटहाउस
पैंटहाउस
पेंटॉक्साइड
पेंटॉक्साइड्स
पेंटामीटर हिंदी उपयोग और उदाहरण
"" चॉसर ने पेंटामीटर नामक छंद दिया जो अंग्रेजी पद्य की बड़ी उपलब्धि है।
पेंटामीटर इसके अंग्रेजी अर्थ का उदाहरण
In languages with a stress accent (accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter).
While many passages in Shakespeare's plays are written in prose, he almost always wrote a large proportion of his plays and poems in iambic pentameter.
In some of his early works (like Romeo and Juliet), he even added punctuation at the end of these iambic pentameter lines to make the rhythm even stronger.
This tradition is represented in English letters by the use of blank verse (unrhymed iambic pentameter), as by both Brownings and many later poets.
With the exception of a 74line letter "unto cupid and to venus" in Book VIII, Gower did not adopt the new pentameter with which Chaucer had recently been experimenting, and which was in the 15th century to become the standard metre for English rhyme.
According to scholar Meg Lota Brown: "The poem is 1,056 lines of iambic pentameter, 300 lines of which constitute 'The Dreame'; the rhyme schme of the six-line stanzas is abcbdd.
A broader metrical sense of "weak position" can arise in any language, either from a formal poetic meter (such as iambic pentameter or the Latin [or from the use of parallel structure in prose for Zirconium carbide (ZrC) is an extremely Steve Smith and Vital Information is an American jazz fusion group led by drummer Steve Smith.
The poem is in blank verse and mainly uses iambic pentameter.
Two thirds of Browning's poetic works are written in unrhymed pentameters.
It explores aestheticism and human reciprocity, and as a result is written in near perfect iambic pentameter.
Her verse is strong, dense and musical, anchored in the pentameter even when it veers into irregularity; behind it are formidable masters, Robert Lowell most notably, but also Yeats and Auden.
Beeching wanted something to counter the prevailing da-DUM-da-DUM style of reading, that artificially distorted words to fit the regular pattern of the iambic pentameter rhythm.
It is written mostly in unrhymed iambic pentameter, although portions are written in rhymed iambic pentameter, mixed iambic and anapestic tetrameter, and other forms.