पिंडारिक हिंदी उपयोग और उदाहरण

""राजकुमारी डेकी यांगज़ोम वांगचुक के पांच बच्चे हैं; आशी ल्हेन निजाल रिका, दशो जिग्मे नामग्याल, दशो वांगचुक दोरजी नामग्याल, आशी यिवंग पिंडारिका और आशी नामजय कुमुथा।

राजकुमारी डेकी यांगज़ोम वांगचुक के पांच बच्चे हैं; आशी ल्हेन निजाल रिका, दशो जिग्मे नामग्याल, दशो वांगचुक दोरजी नामग्याल, आशी यिवंग पिंडारिका और आशी नामजय कुमुथा।

पिंडारिक इसके अंग्रेजी अर्थ का उदाहरण

It was the looseness of these 'pindarics' that appealed to many poets at the close of the 17th century, including John Dryden and Alexander Pope, and many lesser poets, such as John Oldham, Aphra Behn, Thomas Otway, Thomas Sprat, John Hughes and Thomas Flatman.

John Milton employed 'pindarics' for the chorus of his lyrical tragedy, Samson Agonistes, published in 1670/71 (and probably composed in the 1660s) but he was a classical scholar and he termed them more appropriately:.

that which we call the pindaric hath a nearer affinity with the monostrophic or apolelymenon used in the chorus's of Aeschylus's tragedies.

Thus he contrasts 'pindarics' with rhyming couplets as a verse form suited to tragedy:.

In Discourse on the Pindarique Ode, 1706, the dramatist William Congreve reviled pindarics as "bundles of rambling incoherent thoughts" and "uncertain and perplexed verses and rhymes".

Richard Steele in an entry in the Spectator the following year underscored the difference between English pindarics and the verse of Pindar by imagining the Greek poet in Cowley's companybut not for long:.

The pindaric came to be commonly used for complimentary poems on births, weddings and funerals.

Although the vogue of these forms hardly survived the age of Queen Anne, something of the tradition still remained, and even in the odes of Wordsworth, Shelley and Coleridge the broken versification of Cowley's pindarics occasionally survives.

Tennyson's Ode on the Death of the Duke of Wellington'' (1852) may be considered another specimen of a pindaric in English literature, as seen for example in the opening and closing lines:.