पर-ताली इसके अंग्रेजी अर्थ का उदाहरण

They are given a pair of magic slippers with which they can travel anywhere (again, they need to clap one hand with each other while wearing the shoes and say the name of the place they want to go to).

पर-ताली हिंदी उपयोग और उदाहरण

"" ‘भरी पर ताली दी जाती हैं।

‘ताल’ में खाली उम भाग को कहते हैं जिस पर ताली नहीं दी जाती और जिससे गायक को सम के आने का आभास हो जाता है।

‘भरी पर ताली दी जाती हैं।

""अभी गांव में प्राकृतिक जल स्रोत संवाहक के नाम पर ताली बची है,और यह भी गांव वासी के देखरेख के बिना जीवित रहने में असमर्थ है।

ह्रदयादिन्यास :- आकृष्णेन रजसा ह्रदयाय नम:, वर्तमानो निवेशयन शिरसे स्वाहा, अमृतं मर्त्यं च शिखायै वषट, हिरण्येन कवचाय हुम, सविता रथेना नेत्रत्र्याय वौषट, देवो याति भुवनानि पश्यन अस्त्राय फ़ट (दोनो हाथों को सिर के ऊपर घुमाकर दायें हाथ की पहली दोनों उंगलियों से बायें हाथ पर ताली बजायें.।

1, 5, 9 और 11वीं मात्रा पर ताली होती है और खाली 3 और 7वीं मात्रा पर खाली होती है।

अभी गांव में प्राकृतिक जल स्रोत संवाहक के नाम पर ताली बची है,और यह भी गांव वासी के देखरेख के बिना जीवित रहने में असमर्थ है।

पहली मात्रा पर ताली और पाँचवी पर खाली होती है।

पर-ताली इसके अंग्रेजी अर्थ का उदाहरण

Packaging colors varied and some were promotional models, but commonly, boxes were blue or red showing a perforated license plate shape with 'Dandy' written on the plate.

The image on the plate, Coastline, was created by California artist Wayne Thiebaud, who retains copyright to the image but gifted its use to the California Arts Council for the production of the Arts License Plate.

Lavas and intrusive rocks on the plateau flanks have ages of between 132-128 Ma.

He then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate—all done by hand.

The earliest daguerreotype cameras required several minutes to half an hour to expose images on the plates.

Düzce is on the plateau of the West Black Sea coast.

As a consequence of the colonial era when both countries were administered by Britain, a cross-border reserve was established on the plateau.

The two components may be mixed together, separated on the plate, or served separately.

Etching was the dominant technique, but many plates combined this with drypoint in particular; the basic action of creating the lines on the plate for these was essentially the same as in drawing, and fairly easy for a trained artist to pick up.

Sometimes other intaglio printmaking techniques were used: engraving, mezzotint and aquatint, all of which used more specialized actions on the plate.

This made the lines on the plates much more durable, and in particular the fragile "burr" thrown up by the drypoint process lasted much better than with copper alone, and so a greater (if still small) number of rich, burred, impressions could be produced.

Haden had devised his own novel technique where the etching was drawn on the plate while it was immersed in a weak acid bath, so that the earliest lines were bitten the deepest; normally the drawing and biting were performed as different stages.

A conventional movie camera lens was placed in front of the other end, focussed on the plate.