डायटोनिक-स्केल हिंदी उपयोग और उदाहरण

"" इस वस्तु में जिसे डिव्जे बेब फ्लूट नाम दिया गया है, चार छेद हैं जिसका इस्तेमाल, कनाडा के संगीत वैज्ञानिक बॉब फिंक मानते हैं कि, एक डायटोनिक स्केल के चार नोटों को बजाने के लिए किया जाता रहा होगा।

डायटोनिक-स्केल इसके अंग्रेजी अर्थ का उदाहरण

) This fifth is then iterated to generate the diatonic scale and other notes of the temperament.

The whole chromatic scale (a subset of which is the diatonic scale), can be constructed by starting from a given base note, and increasing or decreasing its frequency by one or more fifths.

The tones in the diatonic scale can be divided into pairs of semitones.

A diatonic scale can be constructed by starting from the fundamental note and multiplying it either by T to move up by a tone or by S to move up by a semitone.

Notice that this scale is an extension of the diatonic scale shown in the previous table.

He described a 7-limit double diatonic just scale to distinguish it from the usual diatonic scale, which he called the triple diatonic, with common tones from tonic, dominant and subdominant major triads.

Because of the high aspect ratio of the sound chamber (great length versus small internal diameter), the player can use overtones to play a diatonic scale using only the three tone holes.

The last eight circles of holes give the following temperament of a major (Ionian mode) musical scale (divide each of the above number of holes by 24): 1, 9/8, 5/4, 4/3, 3/2, 5/3, 15/8, 2 (Ptolemy's intense diatonic scale).

In the diatonic scale, a step is either a minor second (sometimes also called half step) or a major second (sometimes also called whole step), with all intervals of a minor third or larger being skips.

In contrast, melody in the 20th century varied greatly including the diatonic idiom of the 18th century (Classical), the variety of idioms from the 19th century (Romantic), and newer nondiatonic scales in the 20th century.

Although tuning methods were still uncertain and empirical, sets of bells in diatonic scales were installed at important parish churches and monasteries.

For a carillion or an English ring of full circle bells, the strike note of each bell must accord with the diatonic scale of the others, and to produce that the harmonics of each bell must be tuned to harmonise with its strike note.