छायाप्रदता इसके अंग्रेजी अर्थ का उदाहरण

Gouraud shading, a shading algorithm invented by the computer scientist Henri Gouraud.

This shading technique uses hatched areas to give the illusion of both shadow and volume.

One of the major artistic techniques that Apollodorus developed was called skiagraphia, or shading in English, hence his title “the shadow-painter”.

The type of shading applied by Apollodorus is highly sophisticated and even today people struggle to master skiagraphia.

Zeuxis is said to have innovated skiagraphia by “adding highlights to shading and applying subtly different colours.

The makeup of oil pastels is pigment coated in wax or oil giving lines and shading a crayon like texture.

Visualization: provides interactive services for displaying geometry in 3D Viewer; implements a compact OpenGL / OpenGL ES renderer, supporting conventional Phong, real-time PBR metal-roughness shading models as well as interactive Ray-Tracing/Path-Tracing engine.

Some of these snippets offer an insight into Goldman's background that was not in the first book—such as his relationship with his parents, his university life and time in the military—the book thereby shading into autobiography.

The structural system chosen for the office wings was complex yet logical in that it was to provide efficient and economical use of materials, column free office spaces with clear spans of in the north–south shortest direction, sun shading to the north facing office wings and a pleasing regular architectural rhythm to the overall complex.

The textures were then "hand painted", and Gouraud shading was later added to complete the look.

In the Figs/Rockery central garden area the large fig trees (Ficus benjamina) form a massive canopy shading the pathway and tuff edged gardens planted with an understorey of subtropical foliage plants.

The main difficulty with this task is the fact that the feeble traces of dozens of thousands of letters left by the stylus, often hardly discernible from the natural shading of the soft lime wood, have been superimposed on each other, producing an impenetrable labyrinth of lines (Zaliznyak speaks of a “hyper-palimpsest”).

The natural vegetation of the islands is largely mangrove near the shore shading into open woodland more than from the shore.