कंटस Meaning in English
कंटस शब्द का अंग्रेजी अर्थ : cantus
ऐसे ही कुछ और शब्द
कैनुलाकैनम
कैनवास
कैन्वस
कैनवास का प्रेस
कैनवास के प्रेस
कैनवासबेक
कैनवासबैक
कैन्वे
घाटी सफेद ओक
कॅप
टोपी चढाना
टोपी देना
टोपी पहनाना
टोपी रखना
कंटस इसके अंग्रेजी अर्थ का उदाहरण
"Music for a King: The Winchester Troper," AECD 1436, sung by Discantus, directed by Briggite Lesne.
The handful of pieces for organ which have survived show Hofhaimer's gift for composing polyphonic lines around a cantus firmus.
He may have been recruited for the choir by Pieter Maessens who had been magister cantus at Notre Dame in Courtrai when Vaet was a boy.
1985 – L'illustrissime Belcantus (The Illustrious Belacantus).
1961 Discantus Best Contemporary Classical Composition (tied with Igor Stravinsky).
In 1994 a full Latin text with choral accompaniment was recorded by Brigitte Lesne and her group Discantus on the CD "Campus Stellae" (Opus 111).
The melody often functions as a cantus firmus.
The Sarum works comprise antiphons, hymns and a respond, all on equal-note cantus firmi, and a large-scale six-part Magnificat that, like two of Taverner's settings, has a psalm tone as the tenor of the full-choir sections.
The mass for five voices, Missa virgo parens Christi, is a cantus firmus mass and has an unusual arrangement where the voices have divisi parts, indicating that at least ten actual voices would be required to sing it.
Classical studies In Renaissance music, the cyclic mass was a setting of the Ordinary of the Roman Catholic Mass, in which each of the movements"nbsp;– Kyrie, Gloria, Credo, Sanctus, and Agnus Dei"nbsp;– shared a common musical theme, commonly a cantus firmus, thus making it a unified whole.
Types of cyclic masses include the "motto" mass (or "head-motif" mass), cantus-firmus mass, paraphrase mass, parody mass, as well as masses based on combinations of these techniques.
The true cyclic mass most likely originated in England, and the first composers known to have organized a mass by using the same cantus firmus in each movement were John Dunstable and Leonel Power.
Among other features, it was the first widely influential work to use a freely-written bass line underneath the tenor cantus firmus.