ऊँचा-सुर इसके अंग्रेजी अर्थ का उदाहरण

The song is played in an A major key at 130 BPM.

It slowly comes back to the major key where it repeats the opening theme for the second time.

Whilst in the major key for the most parts, this leitmotif's rousing chorus modulates to the relative minor key.

The internal arrangement of both themes is often that of sonata form, with the music moving to the dominant or relative major key in the first part, to remote keys in the first half of the second part, and then to a recapitulation of the opening material in the tonic key.

The song is written in the key of C minor and modulates to the parallel major key during the chorus.

Streisand had asked Hamlisch to produce a composition in minor key, but he instead wrote it in major key due to his fear of the song's lyrics being revealed too quickly.

The guitarist believed the Smiths needed an up-beat song, "in a major key", to gain a chart positioning that would live up to expectations.

The track has a false introduction and starts slowly with piano, but changes after a few moments into a large jazz and swing song, with a changing bassline and minor to major key-shift in the chorus.

Longboat Key, Lido Key, Siesta Key, and Casey Key are the major keys that delineate the main bay and its smaller portions.

The song was initially in major key, but was changed to minor upon Linn's insistence.

The music is generally in a major key and often begins on an offbeat.

Performed in an almost comical style, "Hanky Panky" is a jazz and swing song with a changing bassline and minor to major key-shift in the chorus.

ऊँचा-सुर इसके अंग्रेजी अर्थ का उदाहरण

Since the acute accent is readily available on most computers due to its use in a number of widespread European languages, it continues to be used to mark high tone in the email orthography.

Only one high tone occurs per word and this must be on the final or penultimate mora.

Particles do not have a high tone.

The high tone has strong stress; the falling tone has less stress and the low tone has no stress.

acute accent - high tone.

One feature of the tonal system is that high tones tend to get disassociated from their original place and move to the left, as is illustrated in these examples:.

In these words, the original high tone of the root -sí has moved to the prefix ibu-, whereas the low tone of -su has not affected the prefix.

The high tone on the tense-marker la in the fourth verb is puzzling.

The OCP is most frequently cited when discussing the tones of tonal languages (stating for example that the same morpheme may not have two underlying high tones), but it has also been applied to other aspects of phonology.

A commonly held conception within phonology is that no morpheme is allowed to contain two consecutive high tones.

If two consecutive high tones appear within a single morpheme, then some rule must have applied .

Then, since all vowels must have tone at the surface (in this hypothetical language), the high tone of the one vowel spreads onto the other (see: autosegmental phonology).

Alternatively, one (or both) of the vowels may have started out low-toned and become high-toned due to the application of some rule; or perhaps there was a low tone between the two high tones that got deleted at some point.

Regardless, the OCP claims that there can not have been two consecutive high tones (nor two consecutive low tones, etc.